![]() ![]() And we have a backlog of UA models to talk about, particularly as they live on the Apollo. UA has new audio interface hardware out today, but I think the amp is kind of the nicest story, so we’ll catch up with the other bits later on. Release version 1.0.1 DOWNLOAD MANUAL Mrh159 Brown Sound Guitar Amplifier modelled from a vintage Marshall Super Lead 1959 100W, one of the most famous. And actually, I wonder if some people will choose to just focus on this one model, if they love this sound, rather than every single possible choice, as you might get in a do-everything guitar amp bundle. (That is, if Tony’s name didn’t ring any bells, or ringing tinnitus.) So you have Tony’s work in Kore Studios London with all the options you’d have if you were a recording engineer. And that recreation involved a collaboration with engineer Tony Platt, who himself worked with Marshall as well as on AC/DC’s Highway to Hell and Back in Black. In other words, this plug-in is really a studio environment containing the historic Marshall reference amp as much as it is an amp recreation per se. There’s even a channel strip with pans and faders for each mic, plus a two-band EQ. You get mic selection options (FET, valve, dynamic) and placement. You have the amp, but of course you get to choose how to hear it. (I got to meet with them most recently when visiting Sweden – they’re basically a boutique shop of modeling wizards.) MARSHALL AMP KEY HOLDER 1959 GUITAR CENTER SERIAL NUMBER Originally named Jim Marshall & Son, Jim and his son Terry Marshall opened their doors in July 1960 at 76 Uxbridge Road in Hanwell, England.ventually the store changed its name to J & T Marshall and opened a second location across the street. This reissue remains faithful to the original with its Plexi design and all-valve tone, with an additional FX loop for a modern twist. It’s also nice to see Softube doing the development to my ear, they’ve done some of the best modeling work out there. Modelled after the 100W super lead of the late 60’s, the 1959SLP exudes raw power and pure tone. Now, it’s nice to have in UAD format, because you can mix and “reamp” and track and add effects and the lot in real-time on UA’s Apollo hardware. The model number is 1959, built in the year 1967. This is a reference 1959 Super Lead borrowed from Marshall themselves. It’s been built by Softube for the Universal Audio plug-in of DSP, arriving in May. The Marshall “Plexi” Super Lead plug-in is the first amp to bear the name Marshall that isn’t actually an amp – the first authorized plug-in. ![]()
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